Pucci

Describes motivation process for creativity with emphasis on intrinsic motivation by Corey K Katir

The actress wears two dreamy gowns that make moving a bit tricky

Five stars step out at upfronts in New York City — but which star’s style is best?

Discover man’s romance and battle with the sea through fashion in “The Sea,” an exhibit that runs through July 15 at the Phoenix Art Museum featuring designs by Karl Lagerfeld for Chanel, Emilio Pucci and Emanuel Ungaro.

Women dress up for Carrie Bradshaw. Standing in line for a preview screening of Sex and the City 2 in New York earlier this week, I saw outfits cranked up an extra notch or two. There was an electric green Pucci-print slip dress. A white jacquard trench coat, worn belted and collar up, in such a way that it was unclear whether there were any clothes on underneath. A red silk paisley halter dress with a handkerchief hem, paired with a visible blue sueded cotton bandeau bra and cork-soled open-toed sandals. Not all of these outfits workedaindeed, many of them were faintly ridiculousabut there was a certain joie de fashion among the moviegoers that I appreciated. It’s easy to forget, as the delightfully withering pans for SATC2 roll in, that the HBO series had real merit, and one thing the show did well was challenge the American woman’s relationship to her wardrobe. Carrie’s over-the-top example encouraged us to dress creatively, vibrantly, unexpectedly, expressively. Sadly, the movies have both had a much duller take on clothes.

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